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ALBRIZZI, GIAMBATISTA: VIEW OF ŠIBENIK

ALBRIZZI, GIAMBATISTA: VIEW OF ŠIBENIK

Inventory number 117
Original title: Città di Sebenico del Contado nella Dalmazia Veneta
Publishing year: 1727
Place of publishing and publisher: Venezia
Format: 18 x 26,5 cm
Technique: Copper engraving

The map image represents the town of Šibenik as it was at the beginning of the 18th century. Although it was produced after the last Venetian-Turkish war (1716-1718), the map shows Šibenik in the atmosphere of war with Turks. A witness to this is the representation of battle shown in the inland zone of the town. The whole view was based on Martin Rota Kolunić's 1570 map on which an anonymous author introduced new details in the representation of the town (ref. catalogue No. 86). The title is below the lower margin of the map.  

ALBRIZZI, GIROLAMO
ALBRIZZI, GIAMBATISTA (1698-1777), an Italian publisher from the 18th century. The two-volume Gerusalemme liberata (1745), which he published in collaboration with Giovanni Battista Piazzetta, is among his most famous works. He published the work Stato presente di tutti paesi e popoli del mondo naturale, politico, e morale, con nuove osservazioni, e correzioni degli antichi e moderni viaggiatori in Venice in 1753. His works are an important contribution to the Croatian cartography primarily because of his geographical map of Istria, Pula, Venetian Dalmatia, Osor, Kvarner and Šibenik. While some maps of the North Adriatic ports are marked by a relative imprecision of geographical data, Albrizzi based his depiction of Šibenik on Rota’s map of the same region. He also used Bonifaci’s maps, of Kopar or Osor for example, that the Šibenik native had created for Camoci’s isolario in 1571. This kind of temporal deviation confirms that he was inspired by older local masters, and the same can be seen in his depictions of cities and their surroundings which were predominantly characterised by the images of the Ottoman-Ventian War, even though the cities had already been under the Venetian rule since 1718, well before his works were created.
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